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01Đình Mễ – a long-standing cultural relic in the Đại Xuyên area
Đình Mễ is an ancient communal house located in Minh Khai Village (the area of the old Mễ Village, formerly Quang Lãng Commune), Đại Xuyên Commune, Hanoi. The communal house is a place of worship for the village tutelary deity—the guardian god for the peaceful, prosperous life of agricultural residents—and preserves the traditional folk wood-carving architecture of the North.
Located in the cultural space of the former Phú Xuyên area, Đình Mễ is a relic tied to the spiritual life, beliefs, and community history of local residents. Today, after administrative unit reorganization, Đại Xuyên Commune was established by merging the former communes of Đại Xuyên, Bạch Hạ, Minh Tân, Quang Lãng, Tri Thủy, Khai Thái, and Phúc Tiến of Phú Xuyên District. Historical and belief imprints
According to materials introducing the relic system of the Quang Lãng area, Đình Mễ worships the Lục vị Đại vương (Six Great Lords), consisting of six Nguyễn brothers: Nguyễn Vật, Nguyễn Lôi, Nguyễn Quảng, Nguyễn Quán, Nguyễn Linh, and Nguyễn Lặc. Legend has it that they helped King Đinh Tiên Hoàng defeat the chaos of the 12 warlords, so they were revered and worshipped by the people. The worship of generals who served the country shows that Đình Mễ is not only a religious work but also a place preserving the community's historical memory. Through many generations, stories about the tutelary deities have been passed down, helping educate descendants about local traditions and gratitude to those who served the people and the country.
The cultural space of the countryside. Traditional village communal houses in the Northern Delta often play a special role in community life. They are both places of worship for the tutelary deity and spaces for cultural and religious activities and occasions when the community gathers. Đình Mễ is also part of the cultural relic system of the Quang Lãng–Đại Xuyên area. Previous planning documents of Phú Xuyên District identified Đình Mễ, along with many other communal houses, pagodas, and relics, as valuable points for developing the area's cultural, historical, and rural tourism space. Preservation and restoration of relics. A notable point is that Đình Mễ was included in Hanoi City's plan for relic restoration and embellishment. City People's Council documents record the project to restore and embellish Đình Mễ in Quang Lãng Commune with a total estimated investment of nearly VND 19.987 billion, of which city budget support is under the 2021–2025 plan.
Another Hanoi document also records the project to restore and embellish the Đình Mễ relic in Quang Lãng Commune with capital of VND 11.1 billion in the list of projects under the investment plan. Đình Mễ in the appearance of Đại Xuyên today. Since 2025, Đại Xuyên Commune has newly become a larger administrative unit, covering the areas of many former communes. In that context, relics such as Đình Mễ are even more meaningful in connecting the memories and identities of the area's residential communities. The communal house is not only an ancient architectural work or a place of worship. More importantly, it is part of the countryside's memory—where history, beliefs, tradition, and community life meet. Preserving Đình Mễ therefore not only aims to retain a physical structure but also helps preserve the stories, customs, and spiritual values handed down through many generations. Đình Mễ is a highlight in the cultural relic system of the Đại Xuyên–Phú Xuyên area. Associated with the legend of the Six Great Lords and the history of the Đinh era, the communal house reflects the tradition of “remembering the source when drinking water” and the people's reverence for those who served their homeland and country.
In the current process of urbanization and development, preserving and restoring Đình Mễ has special significance: it both safeguards a heritage from the past and creates a foundation for today's generation to better understand its roots. Đình Mễ therefore not only belongs to history but remains part of Đại Xuyên's cultural life today.


