Traditional architecture: The layout of the communal house includes the Nghi Mon, Dai Bai, and Hau Cung.
The Nghi Mon is majestic, with pillars decorated with four phoenixes, tiger tally, and four sacred creatures.
Dai Bai (three compartments and two wings) has softly curved roof corners, and the ridge is decorated with "two dragons flanking the moon".
The Hau Cung is built in the "tien dao hau doc" style, creating a sacred and secluded space for placing six dragon thrones and spirit tablets.
Precious relics: The communal house preserves many Nguyen-era artifacts of high artistic value, such as the horizontal plaque "Hung tai dung luoc", couplets, finely carved incense tables, and especially the royal decree dated to the 9th year of Khai Dinh (1924).
4. Distinctive traditional festival
The festival takes place on many occasions during the year associated with commemorations of the deities: 12/2 (birthday), 10/6 (day of transformation), 15/3 and 12/5 (celebration), along with village feast days on the 7th of the first lunar month and the 5th of the third lunar month.
Unique water procession ritual: The highlight is on the afternoon of the 4th day of the third lunar month, when the village organizes a water procession with a group of 20 escort boats going to the middle of the river to request sacred water, combined with three palanquins (water palanquin, flower palanquin, and palanquin carrying a portrait of Uncle Ho).
Cultural activities: The festival maintains many forms of art and folk games rich in the identity of the riverine region, such as worship singing (a court singing style), reo dance, dragon boat rowing, and chess. In addition, on the 3rd day of Tet, the whole village has the custom of making floating rice cakes to offer to the deities.
